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Angels' Road

Your hair strand that I found brought me luck
And the dreams I dreamt became my hope
My mornings rose for you
That's why I say hello to a new day
My mornings rose for you
That's why I say hello to a new day
 
Come, the owner of my hear
let me deceive you
The angels' road doesn't pass through my room
don't think that I am wonderful without you
Come, the owner of my hear
let me deceive you
The angels' road doesn't pass through my room
don't think that I am wonderful without you
 

Kings, dukes, princes, marquises

Kings, dukes, princes, marquises
Lead a million wars!
We? Never won one! We were those who died!
On these furrows, here, lying on the ground!
 
The Greeks, the Romans, barbarian and goths,
The Turks, the Geman and the French: all of them!
A thousand banners, one at a time

Hoppin’ and Bouncin’

Heart to heart, we’re testing ourselves

The Thear

The bird's singing falls silent in the bosk
And barren lies the mountain and the valley
And now upon my dreary existence
Falls the last sunbeam,
The last sunbeam, the sunbeam
However, even if every trace of the happiness
I dreamt about is scattered
I still keep the thear,
That you cried for me.
I still keep the thear,
That you cried for me.
 

Sing with me about one woman

One woman has taken
days filled with sunlight from my life
I want to come with a song
To her heart, to her heart
I want to come with a song
To her heart, to her heart
 
Chorus.
 
Sing with me about one woman
Who's the reason my soul hurts
Maybe she's there somewhere amongst you
Maybe she's listening
 
Sing with me about one woman
Who's the reason my soul hurts
Maybe she's there somewhere amongst you
Maybe she's listening
 
She will belong to another man tomorrow
Someone else will listen to her sadness
And I will be with all of you again
Somewhere far away, somewhere far away
And I will be with all of you again
Somewhere far away, somewhere far away
 
Chorus
 
Sing with me about one woman
Who's the reason my soul hurts
Maybe she's there somewhere amongst you
Maybe she's listening
 
Sing with me about one woman
Who's the reason my soul hurts
Maybe she's there somewhere amongst you
Maybe she's listening
 
If she's breathing beside another man tonight
She will come once again, that is what I feel
Sing with me, my friends
Just take it easy, just take it easy
Sing with me, my friends
Just take it easy, just take it easy
 
Chorus.
 
Sing with me about one woman
Who's the reason my soul hurts
Maybe she's there somewhere amongst you
Maybe she's listening
 
Sing with me about one woman
Who's the reason my soul hurts
Maybe she's there somewhere amongst you
Maybe she's listening
 

Under The Old Tamarind

How to remember those moments
Where I played with my old friends,
I used to do my accumulated homework
Or just sit during the hot afternoons.
 
Countless times I climbed on your branches
To eat your fruit, something astringent
Or prepare drinks, jams and sweets
That delighted and made the family happy.
 
Your branches, so strong and leafy,
Gave shelter and pleasant shade,
You adorned the ground with flowers and leaves
Like a vivid carpet under my bare feet.
 
Over the years, many of the trees
Have been ripped off, felled and replaced.
But you're still there, immovable and unbreakable,
So much so that I know your harvest days.
 
You know my story, joy and tears,
But every day I am learning from you.
In every morning when I wake up
I see you and I feel like you say 'hello!'
 

Cry about Kyiv

1
Hervé Saint-Patron of the Bards
Gave me the inspiration
He gave me the inspiration again
To compose a song
To compose a new song
A Gwerz on famine
On the large famine of Kiev, Ukraine
That took away three million people
That took away three million people
By the order of one man
 
2 Woe, a thousand misfortunes, men in red
Woe, woe, men in red in December
When they came into the country
To take away all our property
To take away our animals and our wheat
They left nothing at all
And here we are in misery!
 
3 If a traveler asks the way to Kiev
Tell him so: 'Follow the ravens in the sky
They will lead you readily
Follow the wild dogs in the fields,
They will get you there easily! '
And when you arrive in Kiev
You will find endless despair
On the streets
You will only see dead people
Thousands of people starved to death
Scavengers feed on them
As never before
You will also see a small child
Crying, calling out to his mother
Ravens all around him
They will not have long to wait
 
4 'Who is that knocking at my door so late
Who wants to come in?
If it is Death
May she enter fast
May she enter fast
To shorten my suffering
Madam, I am not Death
But a traveler
A traveler benighted
Looking for a place to sleep
Looking for a bed
And a little food
'I am left with nothing to eat
Only the cold earth
I have nothing to offer, today is the funeral
Of my three children
My three children are wrapped in a shroud
My husband is lying next to them '
 
5 Where there were seven children in a house
There remained only three
Their father looked with sorrow
And said to his wife: 'Which of the three should I kill
To let the two others have food,
Who should I sacrifice,
I cannot choose,
The small one or the big one? '
As he spoke he took a knife
And plunged it into his own chest
 
6 Here comes the summer
And the wheat that grows
This year
Will get lost in the wind
Will get lost in the wind
But the memory of the people of Kiev will live
Until these words are sung
In tribute to the millions of those
Who died in winter ...
 

You and I never again

My dear, I was the one
That would breathe only for you
Now I can't believe it
You and I never again
 
My dear, I was the one
That would breathe only for you
Now I can't believe it
You and I never again
 
I loved only you
Now it's as if I'm erasing you from my heart
I still can't believe it
You and I never again
 
I loved only you
Now it's as if I'm erasing you from my heart
I still can't believe it
You and I never again
 
I was happy with you
Now my heart writes in sadness
I still can't believe it
You and I never again
 
I was happy with you
Now my heart writes in sadness
I still can't believe it
You and I never again
 

The Flamengo Jokers

Two against one
It can be the Flamengo's moment
Bruno Henrique, here we go
Gabigol is asking for it
Gabigol is asking for it
Gabigol is asking for it
Passed to Gabigol
Kicked off!
Here comes the goal, here comes the goal
Here comes the goal!
 
Flamengo wasn't well, we were in a bad phase
We hired a coach with the name of Jesus
Organized our team, the goal is to become champion
And bring a lot of joy to our great nation
 
It is hard to stop the Flamengo jokers
Bruno Henrique, Arrascaeta, and our boy Gerson
If there is a Mengão match, the crowd goes wild
Raise the sign: Today there will be goal from Gabigol!
If there is a Mengão match, the crowd goes wild
Raise the sign: Today there will be goal from Gabigol!
 
It's flowing, Gabigol is top-scorer
It's smooth, follow the Brazilian leader
Well done, team, every match of ours is war
The Maraca shout out loud: Today is favela party
Well done, team, every match of ours is war
The Maraca shout out loud: Today is favela party
 

Flower rain

You were always trying to entangle me with your hidden gazes, thus you have became my dream (×2).
Oh, the guest of my imaginations when you will come to our house to see my height (the way I look).(×2).
I am your flower rain
I am your Narcissus and beloved one
I am your dearest and sweetest one.(×2).
You are both love and home for me
You are a gift for me
The day you have risen is considered as my birthday (×2).
My flame like red lips
My pearl and flower like body
All of them are yours my love, my heart(×2).
I am your river
I am your heaven and earth
I am your love crown(×2).
I am your narcissus
I am your beautiful beloved
one(×2).
It is me, It is me, It is me.
 
Loy loy loy ............
 

Repeated Sticker

It looks like our mouths already knew each other
During the kiss they spoke the same language
Everything that came from nothing
Without taking, nor putting
You were everything that was missing
 
I became a fool in the day that I criticized
Cachaça, party and the schemes are a thing of the past
The single lifestyle stayed for another life
I want for you to forever be
My repeated sticker
 
Babe1, answer me one thing
Do you want to be my date?
My love?
To live in the bed
But only sleep a little bit?
 
Do you want to be my date?
My love?
To live in the bed
(Show to all of Brazil how you guys sing in São Paulo)
Babe, answer me one thing
Do you want to be my date?
My love?
To live in the bed
But only sleep a little bit?
 
Do you want to be my date?
My love?
(Now do the L, the L, the L, the L
And make noise for Lauana Prado)
 
(Heeeeeey, Lauana Prado and Léo Santana
Beautiful thing
Make two L's, I want to see it, come who'll come
Sing with me then São Paulo)
 
It looks like our mouths already knew each other
During the kiss they spoke the same language
Everything that came from nothing
Without taking, nor putting
You were everything that was missing
 
I became a fool in the day that I criticized
Cachaça, party and the schemes are a thing of the past
The single lifestyle stayed for another life
I want for you to forever be
My repeated sticker
 
Babe2, answer me one thing
Do you want to be my date?
My love?
To live in the bed
But only sleep a little bit?
 
Do you want to be my date?
My love?
To live in the bed
But only sleep a little bit?
 
(Make it clear and say it)
 
Babe2, answer me one thing
Do you want to be my date?
My love?
To live in the bed
But only sleep a little bit?
 
Do you want to be my date?
My love?
To live in the bed
But only sleep a little bit?
 
Oh babe 1
Oh babe 2
 

• feminine
• masculine

The Princess

I'm staying behind the others
I see the princess arriving
She gets all the attention just like that
I admire the princess
 
Saturday evening shall come
Seek your rightful place
Where there's swing again
You come to pick up
A facade just for yourself
 
Who'll be the one that has that honor again
For him the road to the stars is already paved
When you take a man to dance [with you]
Soon it will be noticed
That man is just a lackey
All the people will act just like that when it's their turn
 
Look at the princess
The dancer more beautiful than anyone else
In the princess' dreams
That those men are part of
 
I'm staying behind the others
I see the princess arriving
She gets all the attention just like that
I admire the princess
 
You make the men's heads spin
You always enjoy that when you see it [happening]
You have a gift of dance and a gift of love
That man is just a lackey
For another Saturday again
 
Look at the princess
A dancer more beautiful than anyone else
In the princess' dreams
That those men are part of
 
I'm staying behind the others
I see the princess arriving
She gets all the attention just like that
I admire the princess
 

Out

Out, out, out, out
Out, out, out,
 
She walks alone through the city
He thinks everything, everything he thinks he knows
It's just down
This is what is called an out
 
Out, out, out, out
Out, out, out,
 
She walks alone through the city
He thinks everything, everything he thinks he knows
It's just down
This is what is called an out
 
Out, out, out, out
Out, out, out,
 

Wedding in Louisiana

Wedding in Louisiana

Why Did You Frown

Versions: #1
Why did you frown?
O my lover! I don't know your crimes*
If I die, oh your hair
Don't tear your hair my lover, don't
 
I have fallen into the fire of love**
I don't care about the worldly possesions
If I die, O my lover!
Don't came to my grave, don't
 
************
SHE DOESN'T SING THE LAST VERSE
 

Wind of Ankara

Your pinky little lip told our song
Spring come Ankara's misty mountains
Your sensitive voice, ah*, cheer my heartbreak
Every one cried, set everyone heart on your wavy hairs.
 
I told my love, to Ankara's wind
It dosen't work, my all desires are remain to tomorrows.
Every one cried, set everyone heart on your wavy hairs.
 
Once she will laugh, she will give you hope
She will give you promises, won't come, always engle you
She will say 'love me', she won't love you, maybe make you cry
 
Don't cry in vain, don't set your heart on Ankara's girls.
 
I told my love to Ankara's wind
It dosen't work, my all desires are remain to tomorrows.
Don't cry in vain, don't set your heart on Ankara's girls.
 

Winner

How lucky you are
To meet me here!
Einstein and Superman in one
Crocodile on my shirt
The Swatch with diamonds
Believe me, I'm one of the very best
Your fairy godmother has
Really good taste
Your fairy godmother had a good day today
 
You're the winner1
And I'm your big win
I am Mr Wonderful2
You're the winner
Because I'm really awesome
 
All the girls are dying of jealousy
One thing you know for sure:
I can have every woman here
But I want you, you have character
But first buy me a glass
Of champagne
I accidentally left my wallet
At home
What a sweet little thing
You are
 
You're the winner
Look how well-built I am
And yet also cultured
You're the winner
In the centre of the Kingdom of Senses
Satisfaction is guaranteed
You're the winner
You're completely over the moon3
I'm a real monster in bed
You're the winner
Komm schon baby, lass mich rein
Ich weiß, ich mach deine Unterhose nass4
You're the winner
 

• 1. The German suffix -in specifies that the winner is female.
• 2. This line is a kind of pun in German, where 'Herrlichkeit' is like 'wonderfulness', and the first few letters spell 'Herr', which is 'Mr'.
• 3. Usually the words 'weg' and 'hin' would be the other way around in this idiom, making me wonder if there's another pun here which I'm not getting. My best guess is it's a pun with a phrase like 'Ist was weg, muss was hin', which means 'one out, one in' and would show the protagonist is not nearly as exclusive in his tastes as he makes himself out to be.
• 4. This being in English already, I've made it German - why not after all?

The Woman-Whisperer

I've been on a course
And now I can finally understand women
The course is pretty booked up
But it's worth going
 
Women rarely say what they mean
And that can be quite tricky for the man
I always used to be clueless but that's over
Because now I can read between the lines
 
When she says: 'Get lost, you prick!'
That means she likes me
When she says: 'You're still here!'
She really means: I want to have your baby
 
We often used to talk past each other
I nodded endlessly
But it was all a sham
 
Women often feel like they aren't understood
And love's not a game to them
Because women invented communication
And we men only invested the bicycle valve
 
When she says: 'Get lost, you idiot!'
It's an unambiguous proposition
When she says: 'You're really abhorrent!'
You can consider yourself fucked
When she says: 'The police are on their way!'
That means she is crazy for you
When she complains: 'Oh no, not you again!'
Then I know she's hot for Farin U
 
Hello ladies, what Farin thinks has long been clear
But you have no idea
He's not as he seems,
He never says what he really means
And that's why we're giving you our warning:
 
When he says: 'Hello, how are you?'
That means he wants to sleep with you
When he asks you: 'Say, what time is it?'
That means he wants to sleep with you
When he says: 'I read Brecht!'
That means he wants to sleep with you
When he complains: 'The world is bad!'
That means he wants to sleep with you
When he asks you: 'Do you know Bremerhaven?'
That means he wants to sleep with you
When he says: 'I don't want to sleep with you!'
That means he wants to sleep with you
When he says: 'Ooh, your grandma is nice!'
That means he wants to sleep with you
When he says: 'Yeah, she's too fat for me!'
That means he wants to sleep with you
When he says: 'You have such beautiful hands!'
That means he wants to sleep with you
 
When he says: 'The song is over now'
That means the song is over
That means the song is over
The song is over
Now!
 

Why, My God?

Tell me why
Love is always so brief
Oh, my God?
Tell me why,
So very slowly,
It bleeds out and dies on us...
 
River drunk on life,
You who flow away and plunge down...
Oh, my God...!
Why, my God?
 
And this pain, which makes me live miserably
And suffocates my heart and empties me?
Oh, my God!
Why, my God?
 
What will happen with me, my God?
And with us and with love?
We can smile at each other and bend over backwards,
We can die over a memory...
Why, my God?
Why, my God?
 
Tell me why
Love is always so brief
Oh, my God?
Why does it wither away
So very slowly,
If it blossomed so suddenly?
 
It doesn't leave us anything at all: just a shadow
That darkens all of our hours...
Oh, my God!
Why, my God?
 
And I don't even dare to wait anymore,
So I can live another love...
Oh, my God!
Why, my God?
 
What will happen with me, my God?
And with us and with love?
We can smile at each other and bend over backwards,
We can die over a memory...
Why, my God?
Why, my God...?
 

Arlechino

On the streets is a multicoloured poster
with Arlechino, the great actor.
He plays in the evening time and at the mathinee
doing the same somersaults in the square
The circus star, for about an year
does aerial balance on the string
does another jump, a mortal jump
and then, in the act two, is a musical clown...
 
Chorus:
 
Arlechino, Arlechino
The one who said it, said it good
Arlechino, Arlechino
Brava to you! Brava, encore!
 
At the mathinee are coming kids
that come to the circus attracted by Arlechino
He makes big somersaults and little somersaults
and everyone in the big circus is a friend of his.
Though he's laughing, laughing unstoppably
in his soul, Arlechino's suffering
The story with the harlequin that he loved
and hiding his tear under his laugh
 
Chorus
 
His sadness may seem a common thing
it was treated in prose and verse
He loved a ring acrobat girl
but the acrobat girl didn't love him.
The balancers told him friendly
that life is a circus with mortal jump
but you're much more of a hero with no net
you're doing the jump and then the final tango...
 
Chorus x2
 

To ANZAC Soldiers

Those heroes that shed their blood
and lost their lives ...
You are now lying in the soil of a friendly country.
Therefore rest in peace.
There is no difference between the Johnnies and the Mehmets to us where they lie side by side here in this country of ours
You, the mothers who sent their sons from faraway countries,
wipe away your tears

I am waiting

It's late at night
I'm waiting at the window
It's late at night
I'm waiting at the window
 
I dream of a fugitive
I'm flying street by street
I'm waiting, I'm waiting
I'm waiting, I'm waiting
 
But you, but you are not
But you are not visible
But you, but you are not
But you are not visible
 
You forget me, you forget me
I'm waiting, I'm waiting
You forget me, you forget me
I'm waiting, I'm waiting
 
The light of your eyes
It makes me wet slowly
The light of your eyes
It makes me wet slowly
 
I stay silent from your voice
I drink in drops by drops
I'm waiting, I'm waiting
I'm waiting, I'm waiting
 
But you, but you are not
But you are not visible
But you, but you are not
But you are not visible
 
You forget me, you forget me
I'm waiting, I'm waiting
You forget me, you forget me
I'm waiting, I'm waiting
 

Budi oprezan

[Intro: Thalía & Farina]
Thalía
Fari
Mmm-mmm (Ja)
 
[Pre-Coro: Farina & Thalía]
Uživaj, kako ti plešem veoma sporo, pripijeno, nežno
Znam tvoje namere, ali ne skidam se,
Želiš da me vodiš svojoj kući, ali ne.
Mene uopšte ne interesuje tvoj novčanik,
Imam svoje, nosim svoju karticu,
Ne poričem ti da mi srce se ubrzava,
Kada se prilepiš uz mene, ali ne oh-oh.
*Bandit sam i došla sam da pijem
I da plešem celu noć,
Ne poričem ti da mi srce se ubrzava,
Kada se prilepiš uz mene, ali budi oprezan.
 
[Coro: Farina & Thalía]
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan, ali budi oprezan.
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan, ali budi oprezan.
 
[Verso 1: Farina & Thalía]
Java
Stavljaš se u usta ovoj vučici,
Stop, bilo ko ne dodiruje me,
Mala odlučuje kog malog će da ukrade,
Da nagradu stavi u svoj krevet.
Ti misliš da možeš da se nosiš sa ovim? Dušice, penji se
Ako sam previše za tebe, zbogom, skloni se
Sviđa ti se opasnost? Ja sam opasnost
Želim da vidim kako se razliva tvoja mastilo u mojoj knjizi.
 
[Pre-Coro: Farina & Thalía]
Uživaj, kako ti plešem veoma sporo, pripijeno, nežno
Znam tvoje namere, ali ne skidam se,
Želiš da me vodiš svojoj kući, ali ne.
Mene uopšte ne interesuje tvoj novčanik,
Imam svoje, nosim svoju karticu,
Ne poričem ti da mi srce se ubrzava,
Kada se prilepiš uz mene, ali budi oprezan.
 
[Coro: Farina & Thalía]
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan, ali budi oprezan.
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan.
 
[Verso 2: Farina]
*Ti ne možeš da izdržiš ovaj otrov (Ne)
Biku Ole, nećeš više kročiti na ovaj teren,
Prvo ću te obućiti,
Želi da pevam, da vidi kako zvučim,
Ko ti je rekao da ćeš jesti tako dobro?
 
[Puente: Farina & Thalía]
Vatra, vatra između nogu (Mmm)
Ako se *približiš, zapalićeš se.
Vatra, vatra između nogu (Mmm)
Ako se *približiš, zapalićeš se, zapalićeš se.
Vatra, vatra između nogu,
Ako se *približiš, zapalićeš se.
Vat-vatra, vatra između nogu,
Ako se *približiš, zapalićeš se, zapalićeš se.
 
[Outro: Thalía]
Fari
Daj mi više, da
Thalía
 

I Beheld My Love This Morning (Translated by Z. C. Boyajian)

1
 
I beheld my love this morning, in the garden paths she strayed,
All brocaded was the ground with prints her golden pattens made

Run to you

I can't, I can't stop myself
Don't know what's with me, I want you to know
that I miss you every day
 
An hour's passing, I want to call you
I got so many simple things to say to you
I have no pacience
I'm rushing so much
 
Chorus:
 
I want to run to you now
I got so many things to say to you
about we two
just about us and I want us
to fly through the clouds now
like the tender morning light
to hold you in my arms, I want
to say again to you:
I want to run to you now
 
Now I talked on the telephone
I closed it and now I feel like missing
to hear you how you say that you love me
 
An hour's passing, I want to call you
I got so many simple things to say to you
I have no pacience
I'm rushing so much
 
Chorus...
 
Don't know what can happen to me
if a day goes by far from you...
 
Chorus...
 

I will no longer be with you

Versions: #1
I will no longer be with you, I look at the clouds up there
In you I was looking for the tenderness that I don't have
And the understanding that I can't find in this dumb world
You are no longer that person, you are not that person
It's over, the one who leaves hurts the other very badly
 
I make streams of clear water flow through my eyes
Which I will drink, I search the woods for myself
And valleys with a sun hotter than you
 
I will no longer be with you, I look at the clouds up there
And when I go, you'll have to smile at me, if you can
It won't be easy, but, you know, we die a little bit so we can live
Goodbye, my love, the clouds are already further away
It's over, the one who leaves hurts the other very badly
 
And when I go, you'll have to smile at me, if you can
It won't be easy, but, you know, we die a little bit so we can live
Goodbye, my love, the clouds are already further away
It's over, the one who leaves hurts the other very badly
 
Goodbye, my love, the clouds are already further away
Goodbye, my love, the clouds are already further away
 

We forget how to be happy

I watch the sky that's crying with hard raindrops
it seems that tears would fall through me, would turn me
into a flower, into a tree touched by dew, still not snowed
hidden only by my shadow in your dream...
 
Don't let yourself defeated by the moments of sadness, thoughtful and unreconciled
maybe we're rushing by too much
and forgetting to be happy
 
I want to show you the world through my eyes,
to learn to believe and dream
to smile, to meet through stories
I want to show you how you could be
to learn to believe and dream
you'd find me in poems, you'd be with me
 
I can be a light in your night, around you
to learn to follow me and you'll see the love
that's changing everyhing around, time would stop, we'd be together
I wish I can be a gate in your path...
 
I want to show you the world through my eyes,
to learn to believe and dream
to smile, to meet through stories
I want to show you how you could be
to learn to believe and dream
you'd find me in poems, you'd be with me
I want to show you how you could be
to learn to believe and dream
you'd find me in poems, you'd be with me
 

Give me air

The lady/miss speaks French,
I would kiss you near the Eiffel Tower,
I love you, I love you, in the Italian style,
I would kiss you near Trajan's Column.
 
(Pre-chorus)
Yes, ...
You know I love you from China to Athens,
Saratata la la ta, the whole world shour hear
That I love you and you are all my fortune!
 
(chorusx2)
Give me air, give me air, I'm suffocating
And put me in your life on the first place.
Don't let, don't let, don't let in your heart
Someone else to slip in.
 
I love you, I love you, I love you,
I would kiss those lovely lips of yours,
I love you, I love you so much,
I would kiss your lips like a crazy.
 
(Pre-chorus)
Yes, ...
You know I love you from China to Athens,
Saratata la la ta, the whole world shour hear
That I love you and you are all my fortune!
 
(chorusx2)
Give me air, give me air, I'm suffocating
And put me in your life on the first place.
Don't let, don't let, don't let in your heart
Someone else to slip in.
 
Your eyes make me stop looking around me at all,
If I don't feel your presence, it's always hard for me.
I think you came from Mars, with a UFO with ... from far away
Yes, I would like to go with you around the world,
To kiss you in the moonlight in Africa
If we warm up and want something completely different,
Let Ruby come and turn off the lights,
Oooo, let me kiss you near Trajan's Column,
Oooo, I'm a Romanian gypsy, but I have an Italian style.
 
(Pre-chorus)
Yes, ...
You know I love you from China to Athens,
Saratata la la ta, the whole world shour hear
That I love you and you are all my fortune!
 
(chorusx2)
Give me air, give me air, I'm suffocating
And put me in your life on the first place.
Don't let, don't let, don't let in your heart
Someone else to slip in.
 

Budi oprezan

[Intro: Thalía & Farina]
Thalía
Fari
Mmm-mmm (Ja)
 
[Pre-Coro: Farina & Thalía]
Uživaj, kako ti plešem veoma sporo, pripijeno, nežno
Znam tvoje namere, ali ne skidam se,
Želiš da me vodiš svojoj kući, ali ne.
Mene uopšte ne interesuje tvoj novčanik,
Imam svoje, nosim svoju karticu,
Ne poričem ti da mi srce se ubrzava,
Kada se prilepiš uz mene, ali ne oh-oh.
*Bandit sam i došla sam da pijem
I da plešem celu noć,
Ne poričem ti da mi srce se ubrzava,
Kada se prilepiš uz mene, ali budi oprezan.
 
[Coro: Farina & Thalía]
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan, ali budi oprezan.
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan, ali budi oprezan.
 
[Verso 1: Farina & Thalía]
Java
Stavljaš se u usta ovoj vučici,
Stop, bilo ko ne dodiruje me,
Mala odlučuje kog malog će da ukrade,
Da nagradu stavi u svoj krevet.
Ti misliš da možeš da se nosiš sa ovim? Dušice, penji se
Ako sam previše za tebe, zbogom, skloni se
Sviđa ti se opasnost? Ja sam opasnost
Želim da vidim kako se razliva tvoja mastilo u mojoj knjizi.
 
[Pre-Coro: Farina & Thalía]
Uživaj, kako ti plešem veoma sporo, pripijeno, nežno
Znam tvoje namere, ali ne skidam se,
Želiš da me vodiš svojoj kući, ali ne.
Mene uopšte ne interesuje tvoj novčanik,
Imam svoje, nosim svoju karticu,
Ne poričem ti da mi srce se ubrzava,
Kada se prilepiš uz mene, ali budi oprezan.
 
[Coro: Farina & Thalía]
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan, ali budi oprezan.
Jer se ne vezujem ni sa kim, budi oprezan,
Jer danas sam lepa izašla na ulicu, ali budi oprezan,
Ako se prilepiš uz mene to je samo da me zabaviš,
Budi oprezan, budi oprezan, budi oprezan.
 
[Verso 2: Farina]
*Ti ne možeš da izdržiš ovaj otrov (Ne)
Biku Ole, nećeš više kročiti na ovaj teren,
Prvo ću te obućiti,
Želi da pevam, da vidi kako zvučim,
Ko ti je rekao da ćeš jesti tako dobro?
 
[Puente: Farina & Thalía]
Vatra, vatra između nogu (Mmm)
Ako se *približiš, zapalićeš se.
Vatra, vatra između nogu (Mmm)
Ako se *približiš, zapalićeš se, zapalićeš se.
Vatra, vatra između nogu,
Ako se *približiš, zapalićeš se.
Vat-vatra, vatra između nogu,
Ako se *približiš, zapalićeš se, zapalićeš se.
 
[Outro: Thalía]
Fari
Daj mi više, da
Thalía
 

When well meet again

Versions: #1
When we will sit together again we will talk a lot
....
 
Some chats about bad times and about being apart from you
I'll hug you
I'll fill up with tears again
 
....
 
I'll ask how was passing the time without me
I spent nights awake
How were your days
I'll get made up(look good) again for you
The pain will start again
 
....
 
My palms will have heat coming out
With how much my heart aches without you
 
When you'll sit in front of me
Our soles will freeze again
 
....
 
..... +
 

Bring me back

Damn it, what kind of evening was that?
Damn it, what kind of night was that?
That the two of us escalated together
I never would of thought
Damn it, what kind of evening was that?
At first I didn’t get it
But then you had your name
Tattooed into my soul, in my soul
 
Bring me back to that night, to that evening
Bring me back, back, back, back to you
Just bring this moment back to me for an eternity
Back, back, back, back to you
 
Damn it, what kind of evening was that?
Your beer is still on the table
Everything here screams your name
My playlist also sings about you
Damn it, what kind of night was that?
My heart is thoroughly demolished
Then you gave me a smile
Exorcising my free will, my free will
 
Bring me back to that night, to that evening
Bring me back, back, back, back to you
Just bring this moment back to me for an eternity
Back, back, back, back to you
 
Damn it, what kind of evening was that?
Long night, short process
You brought me to your court
And your judgement was my own
 
Bring me back, back, back back to you
 
Bring me back to that night, to that evening
Bring me back, back, back, back to you
Just bring this moment back to me for an eternity
Back, back, back, back to you
 

Two hearts

BUTRINT
Ay ama my babe, I just want to ask you
Is it true? u a a
That you have found it [love/another man], and if you've found it, I'm not ok
Don't you badmouth me to [other] people
Because one day you might come back
What are you waiting for?
Hey you, what are you waiting for?
Don't be alone
 
REFRAIN
We have separated two hearts, hearts, hearts
Hey sweetheart*, sweetheart, sweetheart
Now the bed is bigger, but even bigger is the anger [stubbornness]
Hey sweetheart*, sweetheart, sweetheart
Hey sweetheart*, sweetheart, sweetheart
Now the bed is bigger, but even bigger is the anger
 
NORA
Feel free to call the other ones, you didn't know how to appreciate me
Our love fucked up
The heart doesn't make 'rrak tak tak' anymore
Your anger is big babe
I know that my calls annoy you
Without you, without you, without you I am not feeling good
I'm not feeling good
No, I'm not badmouthing you to other people
You know that they want to talk
You know that I am still waiting you aaa....
 
REFRAIN
We have separated two hearts, hearts, hearts
Hey sweetheart*, sweetheart, sweetheart
Now the bed is bigger, but even bigger is the stubbornness
Hey sweetheart*, sweetheart, sweetheart
Hey sweetheart*, sweetheart, sweetheart
Now the bed is bigger, but even bigger is the anger [stubbornness]
 
BUTRINT, NORA
Too bad that we are not together anymore
It has been long since we separated
But I still love you
 
REFRAIN
We have separated two hearts, hearts, hearts
Hey sweetheart*, sweetheart, sweetheart
Now the bed is bigger, but even bigger is the anger
Hey sweetheart*, sweetheart, sweetheart
Hey sweetheart*, sweetheart, sweetheart
Now the bed is bigger, but even bigger is the anger